A look at this week's hits and misses.
Criminal Justice 3: Adhura Sach is watchable for Pankaj Tripathi's brilliant portrayal of Madhav Mishra, observes Divya Nair.
'I am as happy with Soha as I was before we got married because we were friends for a very long time.'
'There have been people who are the sons and the brothers of superstars, but they have not lasted more than one or two movies.'
A look at this week's hits and misses.
The Indo-French production received much applause at the 68th Cannes Film Festival.
In a career of eight years, the actor -- who turned 33 on May 16 -- already has an impressive oeuvre.
Subhash K Jha picks five unforgettable Hindi films that capture the inequality of the caste system.
Sreehari Nair explains why Haraamkhor may just be the most liberating Hindi movie made since Hazaaron Khwaishen Aisi.
The pandemic can be a spoiler for showbiz, but the show really must go on.
The writers have smartly targeted several politicians without mentioning them, says Ramesh S.
A look at this week's hits and misses.
It's been a good Cannes for India this year!
Sukanya Verma looks at some memorable balloon moments of Bollywood.
'Life is too short to be doing something that you do not love.'
'Film shooting is a long process, and it is important to have a good bonding with the person you are going to spend six to eight months of your life.' 'Baaki, film toh bann jaati hain.'
'2015 gave us a set of Hindi films that brought to light, the true uncorrupted joys of filmmaking even in their roughness.' 'Films which told us why we loved films in the first place. Films that were less ashamed of revealing their weakness and ones that took chances with audience expectations.'
Farah shoots with Karan and Manish... Look, who Amitabh has as his guests on KBC... Varun gives us Bhediya...
It's like Agatha Christie walked into Roman Polanski's Chinatown conversing in Vishal Bhardwaj with a smattering of Brian De Palma for razzle-dazzle -- the upshot is mesmeric, raves Sukanya Verma.
Joginder Tuteja takes a look at ghostbusters, who have made quite the impression.
Sukanya Verma looks back at the trend's most memorable incarnations in recent times.
Sukanya Verma looks at the various baap-beti equations depicted on the screen.
'Masaan is history for me. This is another journey with Raman Raghav 2.0. You have to clean your slate after every film, and not let its success or failure affect you.' Vicky Kaushal moves on, with Raman Raghav 2.0.
The hits and misses of the week.
The hits and misses of the week.
Jeetendra is a grandfather once more!
'When you are crafting a story, it's always important to see how authentic that story is because if it is authentic and rooted, it will stand the test of time.'
Since its entry in 2016, Netflix has announced over 60 titles to be sourced from India.
...But a comedy about Class Wars. Sreehari Nair tells us why.
The Dulquer factor is the only saving grace of this witless, charmless sham posturing as satire, feels Sukanya Verma.
'I may sound snobbish but I am genuinely tired of responding and saying thank you on Facebook, on Twitter, on phone calls. People are calling from everywhere. There is all this excitement and different groups are throwing parties. I have to attend them or else they will think I am snooty.' Meet Masaan director Neeraj Ghaywan.
Masaan is an immense achievement for a first-time filmmaker and must be applauded, says Raja Sen.
Sukanya Verma looks at 2019's winners and washouts so far.
