The writers have smartly targeted several politicians without mentioning them, says Ramesh S.
Sreehari Nair explains why Haraamkhor may just be the most liberating Hindi movie made since Hazaaron Khwaishen Aisi.
'Film shooting is a long process, and it is important to have a good bonding with the person you are going to spend six to eight months of your life.' 'Baaki, film toh bann jaati hain.'
A look at this week's hits and misses.
'Life is too short to be doing something that you do not love.'
Sukanya Verma looks at some memorable balloon moments of Bollywood.
It's been a good Cannes for India this year!
Farah shoots with Karan and Manish... Look, who Amitabh has as his guests on KBC... Varun gives us Bhediya...
Joginder Tuteja takes a look at ghostbusters, who have made quite the impression.
It's like Agatha Christie walked into Roman Polanski's Chinatown conversing in Vishal Bhardwaj with a smattering of Brian De Palma for razzle-dazzle -- the upshot is mesmeric, raves Sukanya Verma.
'2015 gave us a set of Hindi films that brought to light, the true uncorrupted joys of filmmaking even in their roughness.' 'Films which told us why we loved films in the first place. Films that were less ashamed of revealing their weakness and ones that took chances with audience expectations.'
Sukanya Verma looks at the various baap-beti equations depicted on the screen.
Sukanya Verma looks back at the trend's most memorable incarnations in recent times.
The hits and misses of the week.
The hits and misses of the week.
'When you are crafting a story, it's always important to see how authentic that story is because if it is authentic and rooted, it will stand the test of time.'
Since its entry in 2016, Netflix has announced over 60 titles to be sourced from India.
'Masaan is history for me. This is another journey with Raman Raghav 2.0. You have to clean your slate after every film, and not let its success or failure affect you.' Vicky Kaushal moves on, with Raman Raghav 2.0.
Jeetendra is a grandfather once more!
...But a comedy about Class Wars. Sreehari Nair tells us why.
The Dulquer factor is the only saving grace of this witless, charmless sham posturing as satire, feels Sukanya Verma.
'I may sound snobbish but I am genuinely tired of responding and saying thank you on Facebook, on Twitter, on phone calls. People are calling from everywhere. There is all this excitement and different groups are throwing parties. I have to attend them or else they will think I am snooty.' Meet Masaan director Neeraj Ghaywan.
Sukanya Verma looks at 2019's winners and washouts so far.
'It is a male-dominated show, but that does not mean that the female characters do not stand out.'
Masaan is an immense achievement for a first-time filmmaker and must be applauded, says Raja Sen.
Joginder Tuteja lets us know what to expect.
The Good, the Bad and the Ugly at the movies!
'I don't remember the last time I was this invested in the characters of a story since Doordarshan's golden age or early days of cable television boom,' applauds Sukanya Verma.
Sukanya Verma lists the movies she grabbed at MAMI this year.
A look at the arrivals.
Hardcore action, romance and politics, April has a lot to offer!
'This film is a product of a dangerous trend to take just a sprinkling of truth, mix it with free-flowing speculation and present it as historical facts,' says Manavi Kapur.
These movies may or may not have got critical acclaim, but when it comes to sheer eyeballs, these films did their job rather well.
Love was certainly in the air, as Bollywood's star couples celebrated Karva Chauth together.
'Life is so unpredictable.' 'Devastating beyond words.'
© 2026 Rediff.com - Investor Information - Advertise with us - Disclaimer - Privacy Policy - Sitemap - Feedback - About us - Terms of use - Grievances